| Publications/Catalogues |
| 2007 |
„Chloe Piene“ (exh.cat.), with essay „At hand“ by Barry Schwabsky,
Carré d’Art - Musée d’Art Contemporain de Nîmes, 2007
„between two deaths“ (exh.cat.), Ellen Blumenstein and Felix Ensslin (Eds.),
ZKM Karlsruhe and Hatje Cantz Verlag, Ostfildern, 2007
„Hellbound“, Edited by Francesca Gavin, Laurence King Publishing, London, 2007
„Frozen Tears III“, Edited by John Russel, Central Books, London, 2007
„Ice Cream: Contemporary Art and Culture“, Phaidon Press, 2007
Les Cahiers du MusÈe national d’art moderne, Centre Georges Pompidou, Paris, Summer 2007
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| 2006 | Phonecall, by Chloe Piene, One Star Press, Paris, January 2006
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| 2005 | „Vitamin D", Essay on Chloe Piene by Barry Schwabsky, Phaidon Press, 2005
„Egon Schiele", Statement by Chloe Piene, Neue Galerie, New York, September 2005
„Masculinities", exh. cat., Neuer Berliner Kunstverein, Revolver, Berlin, November 2005
Printemps de Septembre a Toulouse Volume 2: "Vertiges", exh. cat., Les presses du reel, September 2005
„Getting Emotional", exh. cat., The Institute of Contemporary Art, Boston, May 2005
„Contemporary Erotic Drawing", exh. cat., The Aldrich Contemporary Museum, May 2005
Collection and New Acquisitions, Walker Museum of Contemporary Art, 2005
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| 2004 | "Perspectives 142: Boys Behaving Badly", Contemporary Arts Museum Houston, pp. 12 - 13, June 2004
"Chloe Piene", Essays by Bernhard Fibicher and Lee Triming, Kunsthalle Bern, January 2004
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| 2003 | "Love/Hate", exh. cat., Ursula-Blickle Stiftung, Triton Verlag, 2003 |
| 2002 | "Video Topiques", exh. cat., Les Musees de Strasbourg/Paris Musées, October 2002
"Liverpool Biennial Liverpool International", Tate Museum Liverpool, September 2002
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| 2001 | "Hers", Steirischer Herbst, Graz, January 2001 |
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| Publications/Articles |
| 2008 |
„Guter Geschmack ist langweilig”, Gunnar Luetzow, Berliner Morgenpost, 26. September 2008, Seite 22
„Geballte Entladung”, Kurators Liebling von Ina Lockhart, Financial Times Deutschland, Freitag, 26. September 2008, S. 32
„Chloe Piene's new Skullptures”, a Review by Tim Maul, Afterart New, July 11
„Chloe Piene”, Review by Anne Doran, Time Out New York, June 4
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| 2007 |
artnet, „Vom Abgrundtief Anderen - Chloe Piene bei Barbara Thumm, Berlin“, by Anne Haun, 20 November 2007
Berliner Zeitung, „Allein im Wald“, by Dominikus Müller, November 20, N. 271 p. 21
“Der Tod und das Mädchen”, artist portrait by Oliver Koerner von Gustorf, Monopol Magazine, Nr. 11/2007, November, 2007
Style Magazine Berlin, „Chloe Piene” by Marcus Woeller, p. 125, March 2007
Spike Art Quarterly, Review, „Chloe Piene at the Witte de With” by Ines Gebetsroither, pp. 90 - 91, May 2007
Harvard Review #32, Cambridge, 2007
Philadelphia Weekly, “Double Exposure” by Carmen Winant, January 31, 2007
Haaretz, “The American Nightmare” by Smadar Sheffi, January 24, 2007
Haaretz, “Desire Strong as Death” by Uzi Zur, January 23, 2007
Time Out Tel Aviv, “ Thuggery ” by Lea Abir, January 12, 2007
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| 2006 |
2006 ARTnet Magazin, “Provocative Realism” by Donald Kuspit, December 18, 2006
ARTnews, “Making Skin Crawl” by Hilarie M. Sheets, pp. 102, 104, September 2006
ID Magazine, “Chloe Piene: Bite the Bullet ” by Melissa Gronlund, p. 36, June / July 2006
ARTnews, „The Big Draw“ by Hilarie M. Sheets, pp. 98-103, January 2006
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| 2005 | Modern Painters, "Chloe Piene" by Joshua Mack, November 2005
L'Humanité, "Toulouse s'abandonne aux ‚Vertiges'" by Magali Jauffret, September 27, 2005
La Liberation, "Toulouse Art-Corps" by Brigitte Ollier, September 27, 2005
Le Figaro, "Chloe Piene, La Centaure" by Valerie Duponchelle, p. 12, September 9, 2005
Telerama, "Chloe Piene" by Adrienne Farb, pp. 90-91, September, 2005
Artdaily.com, "Artists ‚Getting Emotional' in a New Exhibition", August 30, 2005
Art Actuel, "Que d` emotions!" by John Peter Brakewood, 07/08 2005
Vogue Italia, "Chloe Piene Cut Through" by Mariuccia Casadio, pp. 359 - 364,July 2005
The Boston Globe, "Sweet Emotion", July 12, 2005
IN Newsweekly, "It's totally gay, sort of" by Dan Delgado, p. 14, July 27, 2005
Sunday Advocate, "Defining Eroticism in a Techno-porn Consumer Culture" by L.P. Streitfeld, July 10, 2005
Artdaily.com, "Contemporary Erotic Drawing at The Aldrich", June 8, 2005
Artpresse, Reviw, "Chloe Piene" by Jean-Pierre Criqui, June 2005
Flash Art, News, "On Now, On Soon," p. 83, May/June 2005
The Boston Globe, "Getting in touch with their feelings" by Christine Temin, May 22, 2005
The New York Times, "Erotic Goes Mainstream" by Benjamin Genocchio, May 8, 2005
Boston/NE Gallery Guide, "Spotlight: Getting Emotional," May 2005
Boston Magazine, "Sweet Emotion" by Steve Jermanok, p. 245, May 2005
Le Monde, "Les Corps Déchirés de Chloe Piene" by Philippe Dagen, April 30, 2005
Museums Boston, "Tear Jerker", p. 24, Spring/Summer 2005
Rocky Mountain News, "Personal Experience Filters ‚Boys'" by Voelz Chandler, February 18, 2005
Houston Press, "Hot Ass Art" by Steven Devadanam, January 27, 2005
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| 2004 | IIssue Magazine, "Chloe Piene, Petit Mort" by Simon Watson, Issue 8, Fall 2004
New York Magazine, "Show and Tell", p. 136, November 29, 2004
Flash Art, "Noctambule" by Craig Garrett, p. 60, October 2004
Houston Press, "In the Male" by Keith Plocek, August 5, 2005
See Magazine, "Visual Arts Review: Thriller" by Natasha Mekhail, July 8, 2004
Tema Celeste, "New York 03-13-04" by Dan Cameron and Arthur C. Danto, pp. 48-57, May/June 2004
Flash Art, "Whitney Biennial 2004: A Good Looking Corpse" by Melissa Dunn, pp. 63, 80, May/June 2004
Saint Louis Times, "Art's Really Big Show" by David Bonetti, May 2, 2004
Columbia News, "Six Columbia Alumni Selected for Whitney Biennial" by Kristin Sterling, April 2, 2004
Arte, "Alla Biennale del Whitney: Torna la Pittura" by Renato Diez, pp.104 - 111, April 2004
The Brooklyn Rail, Cover Art and "2004 Whitney Biennial" by Megan Heuer, p. 17, April 2004
Neue Zürcher Zeitung, "Die neue Bescheidenheit" by Andrea Köhler, March 25, 2004
Arts Journal.com, "Modern Arts Note's Five Fave Young Biennialists" by Tyler Green, March 24, 2004
The New Yorker, "What's New: The Whitney Biennial" by Peter Schjeldahl, pp. 100-101, March 22, 2004
The Globe and Mail, "Art in a Tremulous Time" by Sarah Milroy, Mar 17 Philadelphia Inquirer, "Art: A View From The
Front Line" by Edward J. Sozanski, March 14, 2004
slate.msn.com, "The Whitney Museum's escapist, moderate 2004 Biennial" by Mia Fineman, March 12, 2004
The New York Times, "Touching All Bases at the Biennial," by Michael Kimmelman, Arts p. 1, 38, March 12, 2004
The New York Sun, "Snapshots - and Painting! - From the Cutting Edge" by Daniel Kunitz, March 11, 2004
The New York Times, "Art That Speaks To You. Literally." by Roberta Smith, Arts p. 30, March 7, 2004
Basler Zeitung, "Kunsthalle Bern: Chloe Piene" by kng, February 28, 2004
Kunst-Bulletin, "Chloe Piene in der Kunsthalle Bern" by Alice Henkes, February 20, 2004
Le Temps, "Ces pulsions obscures..." by Philippe Mathonnet, February 17, Bernerbar, "Chloe Piene," February 12, 2004
Le Monde, "Chloe Piene Filme La Nuit en Plein Jour" by Philippe Dagen, p. 30, February 11, 2004
Bieler Tagblatt, "Der verfuhrerische Geschmack des Todes" by Annelise Zwez, February 11, 2004
Praxis, "Austellung: Kunsthalle Bern, Chloe Piene," February 11, 2004
Aargauer Zeitung, "Im Ausnahmezustand" by Barbara Miesch, January 31, 2004
Linth Zeitung, "Ein allzeit verfugbares Studienobjekt" by sfd, January 31, 2004
Der Bund, "Radikale Körperstudien" by Marianne Mühlemann, Kultur p.13, January 30, 2004
Berner Zeitung, "Schwere Lebenstänze in Schwarz" by Konrad Tobler, p. B7, January 30, 2004
Artforum, Preview, "Chloe Piene, Kunsthalle Bern" by Frances Richards, p. 80, January 2004
Museums Magazines, New York Edition, Cover Art, 2004
Museums New York, Art Beat, p.17, Winter 2004
Museums New York, Museums Collect, "Activist Trustee: The Judith Rothschild Foundation" p. 4, Winter 2004
Berner Zeitung, "Schwere Lebenstänze in Schwarz " by Konrad Tobler, p. B7, January 30, 2004
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| 2003 | Die Wochenzeitung, Review, "Chloe Piene" by Edith Krebs, August 28, 2003
Art in America, Review, "Chloe Piene" by Nancy Princenthal, pp. 91 - 92, July 2003
Art Press, News, "Chloe Piene" by Charles-Arthur Boyer, pp. 68 - 69, June 2003
Flash Art, Review, "Chloe Piene, Gasser & Grunert" by Maika Pollack, p. 90, May/June 2003
Artforum, Review, "Chloe Piene, Klemens Gasser & Tanja Grunert" by Frances Richards, pp. 168 - 169, May 2003
New Yorker Magazine, Chelsea Art Galleries, "Chloe Piene at Gasser & Grunert," March 14, 2003
Irish Times, Reviews, "Losing It" by Mark Ewart, March 2003
Art in Ireland, "Losing It," March 2003
The Examiner, "Losing it Lets it All Hang Out," March 2003
Flavorpill.net, New York Art, "Chloe Piene at Gasser & Grunert" by Paul Laster, February 2003
Women's Wear Daily, "Video Stars," p. 4, January 7, 2003
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| 2002 | MAKE Magazine, Interview with Lisa Prior, pp. 36 - 37, Special Edition #92, 2002
Cabinet Magazine, image insert, "Self Portrait with Dog" December 2002
Flash Art, "The Liverpool Biennial" by Lee Triming, pp. 41, 50, November/December 2002
New York Times, "Inside the Whale" by Ken Johnson, February 8, 2002
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| 2001 | Smock, "Smock Off the Wall," image, pp. 122 - 123, Spring/Summer 2001
Helsinki Sanomat "Kalevala on Voimakas ja Brutaali" by Leena Honkavaara, May 5, 2001
Helsinki Sanomat, "Pienesta nakee" by Pessi Rautio, April 5, 2001
Flash Art, News, "Insider Trading," March/April 2001
Los Angeles Times, "A Poignant Intersection of Fantasy and Reality" by David Pagel, May 29, 2001
München Kultur, "Vorsicht! Weibliches Terrain" by Anne Erfle, February 20, 2001
Münchner Merkur No. 21, "Video," January 26, 2001
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| 2000 | Zing Magazine, "3D-Archnemesis" curated by Sebastiaan Bremer, Issue 11, Winter 2000
Frieze, Review, "Chloe Piene at Marianne Boesky" by David Hunt, pp. 108 - 109, June/July 2000
Hufvudstadsbladet, "Focus på psyket" by Maria Hirvi, June 1, 2000
Helsinki Sanomat, "Valtapeliä video-installaatioissa" by Marja-Terttu Kivirinta, May 27, 2000
Vorarlberger Nachrichten, "Crashkurs für Selbstdarsteller," May 3, 2000
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