Publications/Catalogues (since 2000) |
| 2006 | Julian Opie - Showtime, CAC Malaga, Spain (exh. cat.)
| | 2004 | Settlements text by Laurent Heygi, Saint Etienne, France (exh. cat.)
Saved; 100 years of the national art collections fund, Hayward Gallery/Art Fund
Julian Opie, Landscapes Wetterling Gallery, Stockholm (exh. cat.)
Julian Opie - Bijou, Sara, Bryan and Monique Lisson Gallery (exh. cat.)
Julian Opie (J.O), text by Mary Horlock, Tate Gallery publication
| | 2003 | Julian Opie Neues Museum Nurnberg, Germany (exh. cat.)
Urban Codes coder/decoder Espace de l'art concrete, Mouans-Sartoux, France (exh. cat.)
Bijou gets undressed text by Julian Heynen, K21 Dusseldorf, Germany (exh. cat.)
Auto-Nom NRW forum, Dusseldorf, Germany published by Hatje Cantz
Julian Opie/Alan Cristea 'newspaper' Alan Cristea Gallery, London (exh. cat.)
| | 2002 | From Archipov to Zittel, selected Ikon Off-site projects 2000 - 2001, texts by Deborah Kenmode and Jonathan Watkins.
Sculptura 02 International Art in Public Spaces, Falkenbreg, Sweden (exh. cat.)
Frenetic Interference, Memory/Cage editions art publishers, Zurich.
Curated by Daniel Kurjacovic and Adrian Notz (exh cat).
Shine, the Lowry, The National Landmark Millennium Project for the Arts, Salford Quays, Salford (exh cat).
Babel 2002 ("Race-Face, Langue-Dialogue"), National Museum of Contemporary Art,
Seoul, Korea (exh cat)
B.Here, Baltic, the Centre for Contemporary Art, Gateshead (exh cat)
Blast to Freeze, British Art in the 20th Century, Kunstmuseum Wolfsburg (exh cat)
Julian Opie, Wallpaper, (Holiday in Bali), Atelier Augarten, Österreichische
Galerie Belvedere, Vienna. Texts by Julian Opie and Thomas Trummer (exh cat)
Continuity/Departure, Tokyo Museum of Art, curator Kazuo Nakabayashi (exh cat)
Trespassing: Houses x Artists, the Bellevue Art Museum, Washington,
MAK Centre for Art and Architecture, Los Angeles and MAK Vienna (exh cat).
Julian Opie, Mario Sequeira Gallery, Braga, Portugal (exh cat)
Alan Cristea Gallery 2001 - 2002 (exhibition programme)
Mask or Mirror ? (A play of portraits), Worcester Museum of Art, Worcester,
MA. Text by Susan L. Stoops.
Julian Opie, Portraits Codax Publishers / Hatje Cantz
| | 2001 | Julian Opie, Wetterling Gallery, Stockholm (book of stamps)
"Art > Music", Rock Pop Techno, an exhibition looking at crossovers between visual art and music; Museum of Contemporary Art, Sydney (exh cat)
"Landscape", curated by Ann Gallagher, The British Council. Exhibition tour opening at ACC Gallery, Weimar; travelling to House of Artists,
Moscow; Peter and Paul Fortress, St. Petersburg; Galleria Nazionale d'Arte Moderna, Rome; Centro Cultural del Conde Duque, Madrid; Sofia Municipal Gallery of Art,
Bulgaria; Museu de Arte Contemporânes de Niterio, Rio de Janeiro; Museu de Arte de São Paolo; Le Botanique, centre culturel de la communauté française Wallonie-Bruxelles (exh cat).
In Fumo (Art, Comics, Communication), curated by Giacinto di Pietrantonio, Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy (exh cat)
Multiplication, a British Council touring exhibition of artist's multiples, National Museum of Art, Bucharest. (exh cat)
Milan Europa 2000, (Fine secolo. I semi del Futuro). Texts by Alessandra Mottola Molfino, Giorgio de Marchis and Lucia Matino.
Conduire, texts by Julian Opie, ed. Contrat Main, Marseille.
| | 2000 | Julian Opie, Abbaye Saint-André, centre d'art contemporain, Meymac, France (exh cat)
Julian Opie, Alan Cristea Gallery, London (exh cat)
Lost, Ikon Gallery, Birmingham (curated by Tania Kovats) (exh cat)
Drive, Govett-Brewster Art Gallery, New Plymouth, New Zealand (exh cat)
The Self is Something Else - Art at the end of the 20th Century, Kunstsammlung
Nordrhein-Westfalen, Dusseldorf (exh cat)
Hausschau - Das Haus in der Kunst, Deichtorhallen, Hamburg (exh cat)
Between Cinema and a Hard Place, Tate Modern, London (exh cat)
Parklight, curated by Alice Sharp, Clissold Park, London (exh cat)
Fact & Value, Charlottenburg, Copenhagen (exh cat)
New British Art 2000: Intelligence, Tate Britain, London (exh cat)
Version 2000, Centre pour l'image contemporaine, Saint-Gervais, Genève (exh cat)
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Publications/Articles (since 2000) |
| 2007 | Brigitte Werneburg: „Brigitte Werneburg schaut sich in den Galerien von Berlin um“,
taz Berlin, nr. 8304 / 20.06.2007, S. 27
| | 2006 | Vicente Jarque: "Julian Opie, o el arte de la ambigüedad", Arte y Parte, no. 47, December 2006/January 2007
| | 2004 | Philipp Holstein: "Julian Opie, der Vorsteher von Oz", Rheinische Post, 25. November 2004
Ingeborg Ruthe: "Piktogramm statt Weibsbild", Berliner Zeitung, 01. Dezember 2004
Uta Grundmann, "Nach dem Trubel - Berliner Galerien im Herbst",Berliner Zeitung, 01. Dezember 2004
Tom Horan, "The Olympics of the art world", The Telegraph, June 2004
Michael Glover, "Colourful, simple and noisy", The Independent, March 2004
"Our selection", The Art Newspaper, March 2004
Alberto Sanchez, "Bijou gets undressed, New work", Exit express, April 2004
"Julian Opie", AXM, April 2004
"My secret life", The Independent on Saturday magazine, March 2004
"Toon Time", Attitude, March 2004
Lindy Cook, "Julian Opie", Sunday Telegraph, March 2004
Gil Blank, "Interview with Julian Opie", Influence Magazine, Jan 2004 (iss.2)
Fisun Guner, Metro London, March 2004
Nick Hackworth, The Evening Standard, March 2004
Maev Kennedy, "In love with Sara", The Guardian, 12 August 2004
| | 2003 | Christine Temin, "How to draw on a wall", Boston Sunday Globe, March 2004
Rose Aidin, "Brush with fame", Observer October 2003
Maev Kennedy "Saved", The Guardian, October 2003
"Sara Gets undressed (artist project)", Sleek, Winter 2003
"Going, going…got it", The Times, October 2003
"Arte e formula uno" Elle Décor Italia, May 2003
Hannah Jones, "The art of changing faces", Western Mail, April 2003
| | 2002 | "After Andy: ten artists discuss the significance of Warhol for them", Contemporary, Feb 02
Richard Shone, "Julian Opie, Ikon Gallery", Artforum, Feb 02
"Prizetime", Art Monthly, No 253, February 2002
Karen Wright, "Gallery", Modern Painters, spring 2002, Volume 15, Number 1
Art Review: "Dangerous sport sponsors art", April 2002, volume LIII, page: 20
Art Review: "Sponsor the Difference", June 2002, Volume LIII
Flash Art, Vol. XXXIX no. 225, July-September 2002
Niru Ratnam, "A chequered history", Contemporary, June-July-August, 2002, p. 74-76
Angelique Chrisafis, "Skateboarder wins UK's largest art prize",
The Guardian, 08-05-2002, p. 5
The Independent on Sunday, "Answer the questions! People mistake me for the receptionist", 31 March 2002
Michael Glover, "Seeing is believing", The Independent (London), 16 July 2002
Rhiannon Batten, "Blank canvas", The Scotsman, 6 July 2002, p. 22 (magazine)
Deyan Sudjic, "It's enough to make you weep", The Observer, 7 July 2002, p. 12
John Russel Taylor, "Wrapped up in celluloid", Times 2, 8 May 2002, p. 16
Michelle Thomas, "New: Recent acquisitions of contemporary art", The List, 1 August 2002
William Jackson, "Art 33 Basel", Galleries, August 2002
Paul Usherwood, "B. Opened", Art Monthly, No. 259, September 2002, p. 1-4
Maite Lorés, "B-OPEN", Contemporary, Sept. 2002, p. 80
Tim Crowley, "Regeneration of the Past: Ensuring long term success for the Baltic',
Art Index, # 1, 2002, p. 52-53
Janet Koplos, "Art Factory for England", Art in America, Oct. 2002, p. 45
Janice Blackburn, "House Style", Art Review, Oct. 2002, Vol. LIII, p. 90-95
"B. OPEN", Modern Painters, autumn 2002, p. 142
Catherine Milner, "Artscene, Nursery's cool", Tatler, London, p. 64, Feb. 01
Nick Hackworth, "Opie Land in a Blur", Evening Standard, London, 23 February
Waldemar Januszczak, "Everything must go?", pp.6-7, The Sunday Times,
Culture magazine, Feb 18 01
Fisun Güner, "Julian Opie", What's on in London, pp. 23 & 25, 21 Feb
"Computers used to bring Andy Warhol's ideas bang up-to-date",
Hampstead & Highgate Express, 23 Feb 01
| | 2001 | Peter Chapman, The Independent, 24 Feb 01
Jonathan Jones, "A Gainsborough for the 21st century", The Guardian, 28 February
Sarah Kent, Time Out, 28 February 01
Northwest, London, February 01
Jeroen Bergmans, "Julian Opie", Wallpaper, Mar 01
Louisa Buck, "PC World", p.40, Esquire, March 01
OK Magazine, London, 2 March 01
Keith Patrick, "Contemporary Landscapes", Contemporary Visual Arts, pp.70-71, Issue 32
Pryle Behrman, "Julian Opie", Art Monthly, pp. 31-33, March 01
Heidi Reitmaier, "artzone", p. 83, Tate, spring 2001
Charles Darwent, "Growing up as an infantilist artist", The Independent on Sunday, 11 February 2001
Laura Cumming, "Figure that one out...", The Observer, 11 February 2001
Fisun Güner, Metro, London, 9 Feb 2001
"Into the blue", i-D Magazine, p. 186, Feb 01
Sarah Hemming, "City Central", Daily Express, 26 January 01
"Opie for the masses", Vogue, Feb 01
"Opie verdict", The Independent on Sunday/Reality Magazine
Helen Sumpter, "Choice", p. 38-39, Hot Tickets, 9-15 February 01
Paul Clark, "It's all a bit of a Blur", Evening Standard/Going Out, Feb 8 2001
"Richard Cork's five best London exhibitions", p. 25, Play, Mar 10-16
John McEwen, The Sunday Telegraph, Mar 11 2001
"Baltic", p. 117, Tema Celeste, Mar-Apr 2001
Louisa Buck, "Logo people", p. 37, The Art Newspaper, Feb 01
"My Bookmarks", The Daily Telegraph, 5 April
JL, "Julian Opie", The Guardian, Guide, 3 Feb 2001
Kathleen Wyatt, "Arts Diary", The Times, 5 Feb 2001
Richard Shone, "London: Opie; Landy", Burlington Magazine, April 01, pp. 235-236
Michael Archer, "Julian Opie", Artforum, May 01, pp. 188-189
"Julian Opie", The Art Magazine Wolgan Misool, Issue 7, 2001, pp. 100-105
"The Artist's Eye: Julian Opie", preview of short screened on BBC Knowledge, The Times, 17 July 01
Cat Callender, "Holidays of the rich and famous", The Observer Magazine, 5 August, p. 35
Tony Godfrey, "Plain Vision", RA Magazine, autumn 01, p. 27
RS, "Julian Opie/Birmingham", Artforum, September 2001, p. 83
Daily Telegraph, 30 August 01
Fiachra Gibbons, "Gallery suffers blurred vision", The Guardian, 6 September 01
Nigel Reynolds, "Yes, we can see a blur but who's in the pictures?", The Daily Telegraph, 6 September 01
Francesca Gavin, "The motorway Monet: Julian Opie", Intersection, 01
Tema Celeste, "B. Open", November-December 2001
| | 2000 | Lawrence Block, "Pictures by Julian Opie", Modern Painters, cover, pp. 65-79, spring 2000
Nigel Rosser, "Where for art now? The Tate", Evening Standard, April 18, 2000
Andrew Graham Dixon, "The Art of Success", Vogue, pp.179-92 London, May 2000
Dominic Murphy, "Far-Out Pavilions", The Guardian Weekend Magazine, p.37, May 13, 00
Vanessa Thorpe, "Tate curator in attack on arts", The Observer, p.9, May 14, 00
Waldemar Januszczak, "Curated chaos", The Sunday Times Magazine, pp.6-7, May 14, 00
Izi Glover, "Lost, Ikon Gallery", pp.114-115, Frieze, issue 53, June / July / Aug.
Louisa Buck, "Art is sexy", Evening Standard ES Magazine, p.15, June 2, 00
Ann Wilson Lloyd, "Julian Opie at Barbara Krakow", Art in America, pp.129-130, June 2000
Izi Glover, "Lost, Ikon Gallery", Frieze, pp. 114-115, issue 53, June-July-Aug
Catherine Milner, "High IQ", Tatler, Aug 00
Lynn Mc Ritchie, "Intelligent approach to modern art", The Financial Times, p.16, early edition, July 7, 00
Adrian Searle, "Thick and Thin", The Guardian, 8 July 2000
William Packer, "Cutting-edge intelligence proves artificial"
Waldemar Januszczak, "A test of Intelligence", Sunday Times, Culture Section 9, p.8-9, July 9, 2000
Richard Cork, "Driving forces of the new British Art", The Times, p.24, July 07, 00
Charlotte Mullins, interview, "The Lure of the Open Road", Art Review, Prints, pp.11-13, autumn 2000
Laura Cumming, "You can fill in the blanks", The Observer Review, 9 July 2000
Brigitte Ulmer, "Kunstszene London: Explosion an Kreativitaet!", Bolero, pp.26-32, Sept. 2000
"The biggest event of the year was...", Londinium, p.28, autumn 2000
Jens Peter Coerver, "New Painting, der Stand der Dinge", Frame, (Germany), pp.36-49, July - Aug
"Tate Modern Reality and Fiction", Tema Celeste, p.116, Oct.-Dec. 2000
Elspeth Moncrieff, "British artists plaster London galleries", The Art Newspaper, Nov 00, p. 74
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