Publications/Catalogues and books |
| 2008 |
No Room to Answer, Eds. Pam Hatley, Modern Art Museum of Fort Worth, Hatje Cantz, 2008
The Cinema Effect - Illusion, Reality, and the Moving Image, (exhib.cat.) Hirshhorn Museum and Sculpture Garden, Washington DC, USA
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| 2007 | "Imagination Becomes Reality" (exh. cat.), ZKM | Museum für Neue Kunst, Karlsruhe (D)
Double Act - Two Artists One Expression / Double Act - Künstler Paare, Mark Gisbourne and Ulf Meyer zu Kueingdorf (Eds.), Prestel Verlag,
München, Berlin, London, New York, 2007
Held together with water.* Art from the Sammlung Verbund, (exh. cat.), Hatje Cantz, Ostfildern, 2007
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| 2005 | "Vanishing Point", exhib. cat., The Wexner Center for the Arts, Columbus (OH)
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| 2004 | House with Pool. Exh. cat. Text by Philipp Kaiser, Dominic Molon, Maya Naef. Museum für Gegenwartskunst Basel, Christoph-Merian Publisher, Basel, 2004.
Single Wide. Exh. cat. Text by Shamim M. Momin. Whitney Museum of American Art at Altria, New York, 2004.
Videodreams: between the Cinematic and the Theatrical. Exh. cat. Text by Mieke Bal, Adam Budak, Laura Mulvey, Kaja Silverman et al. Kunsthaus Graz, Walter Koenig Publisher, Cologne, 2004.
Take 5 jaar Huis Marseille. Exh. cat. Text by Els Barents. Huis Marseille Foundation for Photography, Amsterdam, 2004.
So Wie Die Dinge Liegen. Exh. cat. Text by Iris Dressler, Hans. D. Christ. Hartware Medien Kunstverein, Revolver Publishers, Frankfurt am Main, 2004.
Reordering Reality. Exh. cat. Text by Annegreth T. Nill. Columbus Museum of Art, 2004.
'3: Condensed Information. Exh. cat. Text by Martina Weinhart, Hans Ulrich Obrist et al. Kunsthalle Schirn, Frankfurt am Main, 2004.
Ein-Leuchten. Exh. cat. Text by Peter Weibel, Daniela Zyman et al. Museum der Moderne Salzburg, 2004.
Sammlung Plum. Exh. cat. Text by Roland Moenig et al. Museum Kurhaus Kleve, 2004.
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| 2003 | A revista do CGAC. Exh. cat. Text by Miguel Fernández-Cid, Martin Hentschel et al. Centro Galego de Arte Contemporánea, Santiago de Compostela, 2003.
Ten Years. Exh. cat. Text by Miguel Fernández-Cid. Centro Galego de Arte Contemporánea, Santiago de Compostela, 2003.
Fast Forward. Exh. cat. Text by Peter Weibel, Sabine Himmelsbach et al. Zentrum für Kunst und Medientechnologie, Karlsruhe, 2003.
Yet Untitled: Works from the Bernd F. Künne Collection. Exh. cat. Texts by Thomas Seelig, Brigitte Werneburg, Christoph Ribbat, Cantz Publishers, Ostfildern-Ruit, 2003.
"Brightness - works from the Thyssen-Bornemisza Contemporary Art Foundation", exhib cat.Museum of Modern Art Dubrovnik, publ. by MWProjects, Text by Soraya Rodriguez, p. 42/43, 2003.
Charley. Book. Text by Roberta Smith et al. The Deste Foundation for Contemporary Art, Les Presses du Réel, Dijon, 2003.
Hartware 2001. Exh. cat. Text by Iris Dressler and Hans D. Christ, Hartware Medien Kunst Verein, Dortmund, 2003.
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| 2002 | On Stage, Exh. cat. Text by Martin Engler, Stephan Berg et al. Kunstverein Hannover / Villa Merkel, Hannover, 2002.
Futur Drei: Exh. cat. Text by Bernhard Schwenk. Pinakothek der Moderne, Hannover, 2002.
Out of Place: Contemporary Art and the Architectural Uncanny, Exh. cat. Text by Dominic Molon, Museum of Contemporary Art, Chicago, 2002.
Pinakothek der Moderne, Kunst, Grafik, Architektur, Design book. Text by Reinhold Baumstark, Carla Schulz-Hoffman, Winfried Nerdinger et al. Pinakothek der Moderne, DuMont Publishers, Cologne, 2002.
Pinakothek der Moderne, Malerei, Skulptur, Neue Medien, book. Edited by Carla Schulz-Hoffman, Pinakothek der Moderne, DuMont Publishers, Cologne, 2002.
Say Hello to Peace and Tranquility, Exh. cat. Text by Iris Dressler, Hartware Projekte, Amsterdam, 2002.
22 to Watch, New Art in Austin. Exh. cat. Text by Dana Friis-Hansen, Austin Museum of Art, 2002.
Wallflowers, Exh. cat. Text by Tobia Bezzola, Kunsthaus Zurich, 2002.
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| 2001 | Wild Walls. Exh. cat. Text by Martin Hentschel, Philipp Kaiser, Konrad Bitterli, Bielefeld, 2001.
Action, On Tourne / Action, We're Filming. Exh. cat. Text by Laurence Gateau, Jean-Christophe Royoux et al. Villa Arson, Nice 2001.
KPN collectie fotografie. Exh. cat. Text by Els Barents et al. Huis Marseille, Foundation for Photography, Amsterdam, 2001.
Every Time, La Biennale de Montréal. Exh. cat. Text by Peggy Gale, Claude Gosselin et al., Centre international d'art contemporain, Montreal, 2001.
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| 2000 | Anti-Memory. Exh. cat. Text by Taro Amano et al. Yokohama Museum of Art, Yokohama, 2000.
Imago. Exh.cat. Text by Philipp Kaiser, Lilian Pfaff et al. Junta de Castilla y Leòn y Ediciones Universidad de Salamanca, 2000.
Mnemosyne. Encontros de Fotografia. Exh. cat. Text by Delfim Sardo et al. Encontros de Fotografia de Coimbra, Coimbra, 2000.
Solitude im Museum. Exh. cat. Text by Jacques Beauffet, Martine Dancer, Ulrike Gauss, Gudrun Inboden, Jean-Baptiste Joly, Philipp Kaiser et al. Staatsgalerie Stuttgart, 2000.
Werk Raum: Sophie Calle, Teresa Hubbard/Alexander Birchler, Rémy Markowitch. Exh. cat. Text by Eugen Blume and Jörg Makarinus. Nationalgalerie im Hamburger Bahnhof, Museum der Gegenwart, Berlin 2000.
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| 1999 | Coleccionismo y Literatura. Text by Yvette Sànchez. Ediciones Cátedra, Madrid, p. 302, 1999.
Kunstforum Baloise. Exh. brochure. Text by Martin Schwander. Basel, 1999.
La Biennale di Venezia, dAPERTutto. Exh. cat. Text by Martin Schwander, Harald Szeeman et al, Venice, 1999.
Melbourne International Biennial, Signs of Life. Exh. cat. Text by Juliana Engberg. City of Melbourne (ed.), Melbourne, 1999.
Missing Link. Exh. cat. Text by Christoph Doswald, Gerrit Gohlke, et al. Kunstmuseum Bern, Thalwil / Zürich 1999.
NB: Ateliers de la Conféderation 1997-1998. Exh. cat. Text by Christophe Blaser, Pierre-Andrè Lienhard and Marc-Olivier Wahler. Centre d`Art Neuchâtel, Bundesamt für Kultur, Bern, 1999.
Skulpturen Biennale. Exh. cat. Text by Barbara Engelbach, Florian Matzner, Teresa Hubbard, Alexander Birchler et al. Westfälisches Landesmuseum Münsterland, Münster, 1999.
Tomorrow For Ever. Exh. cat. Text by Carl Aigner and Hubertus von
Amelunxen. Kunsthalle Krems, Museum Sammlung Grothe, Duisburg, Cologne, 1999.
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| 1998 | Freie Sicht aufs Mittelmeer. Exh. cat. Text by Bice Curiger, Michelle Nicol, Juri Steiner et al. Kunsthaus Zürich, Zürich, 1998.
In Wirklichkeit. Exh. brochure. Text by Gerrit Gohlke. Künstlerhaus Bethanien, Berlin, 1998.
Fotografie als Handlung / Photography as concept, 4. Internationale Foto-Triennale Esslingen. Exh. cat. Text by Renate Wiehager, Teresa Hubbard, Alexander Birchler et al. Villa Merkel, Ostfildern-Ruit, 1998.
Scene. Text by Hubertus von Amelunxen and Philip Ursprung, Zürich, 1998.
Stripping. Exh. cat. Text by Gerrit Gohlke. National Gallery, Collection of Modern and Contemporary Art, Prague, 1998.
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| 1997 | Check in! Exh. cat. Text by Theordora Vischer et al. Museum für Gegenwartskunst, Basel, 1997.
Nonchalance. Exh. cat. Text by Christoph Doswald, Andreas Meier, Jean Baptiste Joli et al. Centre Pasquart, Biel, Wabern, 1997.
Slow Place. Exh. cat. Text by Christoph Doswald, Theodora Vischer, Teresa Hubbard and Alexander Birchler. Museum für Gegenwartskunst,Basel, 1997.
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| 1996 | Im Engpass der Worte- Sprechen über moderne und zeitgenössische Kunst. Text by Eva Sturm,p. 132, Berlin, 1996.
Small Histories. Exh. cat. Text by Barbara Burkhardt. Southern Alberta Art Gallery, Lethbridge, 1996.
Never Say Never. Exh. cat. Text by John Armleder, Lionel Bovier et al, Zürich 1996.
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| 1995 | East. Exh. cat. Text by Linda Morris et al. Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, 1995.
Ein Baum ist ein Baum ist ein Baum. Exh. brochure. Text by Yvette Sanchez. Basel, 1995.
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| 1994 | Andrea Fisher, Gery de Smet, Teresa Hubbard / Alexander Birchler. Exh. cat. Text by Hedy Graber and Philip Ursprung. Kunsthalle Palazzo, Basel, 1994.
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| 1993 | Exchange 2. Exh. cat. Text by Harm Lux, Philip Ursprung, Teresa Hubbard, Alexander Birchler et al. Shedhalle Zürich, 1993.
Körper - Fragment - Wirklichkeit, Beispiele aus der Schweizer Kunst des 20. Jahrhunderts. Exh. cat. Text by Christina Horisberger et al. Kunstmuseum Solothurn, 1993.
Speicher, Versuche zur Darstellbarkeit von Geschichte/n. Exh. cat. Text by Eva Sturm et al. Offenes Kulturhaus, Linz, 1993.
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Publications/Articles |
| 2008 |
No Room To Answer, Modern Art Museum Of Fort Worth, Texas, Modern Painters, September 2008, p. 31
Koon Yee-wan: Eyes Wide Open, Muse, Hong Kong, January, 2008, pp.93-95
McNatt, Glenn: Hirshhorn exhibit examines reel vs. real,Baltimore Sun, February 17, 2008, p. C19
Leung, Janice: Unidentified Emotions,South China Morning Post, January 1, 2008, p. C5
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| 2007 |
Schwan, Gary: Seeing Big Pictures, Palm Beach Post, August 10, 2007, p. 18
Obrist, Hans Ulrich: Ever 3/3 Ever, ARTiT, Japan, Summer/Fall, 2007, p. 78-79
Heard, Lisa: Gregor's Room, Recent Acquisitions, Norton Museum of Art Magazine, May, 2007, p. 4
Jothady, Manisha: Die Presse, Vienna, May 2, 2007, p. 1-5
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| 2006 |
Hubbard, Teresa: Notes on House with Pool, Artlies, Houston, Spring 2006, p. 36-41
Kuni, Verena: Verschiebungen in der Nachtschicht, Kunstmagazin, Zeitgenössiche Kunst im Raum Basel, Freiburg, Strasbourg, May 11, 2006
Morales, Réne: Teresa Hubbard and Alexander Birchler, MAM Portrait: Miami Art Museum, Miami, July-September 2006, p. 6
Müller, Katrin Bettina: House with Pool von Teresa Hubbard and Alexander Birchler,Berliner Morgenpost, Berlin, May 7, 2006, p. 15
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| 2005 |
Armetta, Amoreen: Teresa Hubbard / Alexander Birchler, Flash Art, January, 2005, p. 69
Bitterli, Konrad: Profile: Teresa Hubbard / Alexander Birchler, Contemporary, issue 71, February/March 2005, p. 48-49
Butler, Robert: Stretch your movie-going mind at Kemper, Kansas City Star, March 17, 2005, p. E10
Iorg, Emily: Kemper's Editing the Dark, University News, University of Missouri, April 3, 2005 p. 15
Jones, Kristin: Teresa Hubbard / Alexander Birchler, Frieze, issue 89, 2005
Mctavish, Brian: 'Dark' Recesses, Kansas City Star, March 22, 2005, p. E18
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| 2004 | Baur, Simon: Teresa Hubbard und Alexander Birchler im Museum für Gegenwartskunst,
in: Kunst - Bulletin, March 19, 2004
Imhof, Dora: Theresa Hubbard und Alexander Birchler ‚House with Pool'/ Miriam Bäckström ‚Rebecka', in: Kunstforum International, Nr. 169 / 2004
Johnson, Ken: The Dark Night of a Woman…, The New York Times Art Review, New York, Sep 3, p. 40.
Kuni, Verena: 3' in der Kunsthalle Schirn, Kunstbulletin, Zuerich, December, 2004, p. 47.
Dumont, Etienne: Les Hubbard/Birchler promènent leur piscine, in: Tribune des Arts, March 4, 2004
Jaunin, Francoise: Piscine et points de suspension, in: 24 heures, February 27, 2004
Spinelli, Claudia: Fast ertrunken, in: Die Weltwoche, February 19, 2004
Fronz, Hans-Dieter: Wo Wirklichkeit Fiktion wird, in: Badische Zeitung, Ausgabe Lörrach, Feb 13, 2004
Schardt, Simone und Schmelter, Wolfgang: Du musst die ganze Geschichte erzählen (Interview), in: WOZ, Die Wochenzeitung, December 12, 2004
Imhof, Dora: Der Betrachter hat die Autorität, auf: http://visual.homelinux.org, February 09, 2004
Yates, Christopher: Contemporary View, The Columbus Dispatch, Columbus, May 2, 2004, p. D4.
Schwendener, Martha: House with Pool, Time Out New York, November 4, 2004, p. 20.
Starker, Melissa: Reality, What a Concept, Alive, Columbus, April 28, 2004, p. 16.
Marzahn, Alexander: Vorgestellte Räume, echte Rollen und fiktive Interviews, in: Basler Zeitung, February 02, 2004
Schiess, Robert: Abgelebte Räume und die Einsamen, in: Basellandschaftliche Zeitung, January 31, 2004
Hahner, Sibylle: Film voll von Bilderrätseln, in: Weekend, January 31, 2004
Imhof, Dora: Was geschieht im Haus mit Pool?, auf: http://visual.homelinux.org, January 30, 2004
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| 2003 | Ammann, Jean-Christophe: Endlosschlaufe, in: Kunstzeitung, Nr: 86, October 2003
Koerner von Gustorf, Oliver and Werneburg, Brigitte: Teresa Hubbard/Alexander Birchler, `Hard Boiled Wonderland´,
Galerie Barbara Thumm, in: Neue Review. Art in Berlin. Issue 3, October
Peschke, Marc: Gefangen in Gedächtnis, Szene Hamburg, Hamburg, October 2003, p. 58.
Asthoff, Jens: Teresa Hubbard und Alexander Birchler in der Galerie Vera Munro, Kunstbulletin, Zurich, December 2003, p. 51.
Hoffmann, Justin: The Starting Line der Pinakothek der Moderne, Kunstbulletin, Zurich, Jan/Feb, pp. 50-51.
Stange, Raimar: On Stage im Kunstverein und in der Villa Merkel, Kunstbulletin, Zurich, Jan/Feb, p. 47.
Amman, Jean-Christophe: ´Magistral: Single Wide by Teresa Hubbard and Alexander Birchler. in: UBS AG Art Banking News, Issue 3/4, September 2003
Mack, Gerhard: Der Augenblick, der ein Leben verändert, in: art - Das Kunstmagazin, Hamburg, no. 9, September 2003, p. 64-69
Berg, Ronald: Crash!, in: Der Tagesspiegel, July 5 2003
Müller, Katrin Bettina: Zukunft ist Vergangenheit, in: tip 13/03, p. 75
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| 2002 | Bitterli, Konrad: Floating Images - Enigmatic Narratives. Recent Videos by Hubbard/Birchler, in: Parkett No 65, 2002, pp. 148 - 156
Badrutt Schoch, Ursula:Zwischenraum zur Wildnis - "Wild Walls" von Hubbard/Birchler im Kunstmuseum St. Gallen, in: St. Galler Tagblatt, 4.6.2002, p. 20
Cabello, Helena and Carceller, Ana: At short distances. Notes on collaborative artistic creation. Exit, Madrid, no. 7, 2002, pp. 28-39.
Sailer, Alexia:Vom Gefühl zur Meta-Reflexion, in: Südkurier, .6.2002, p. 26
Rauterberg, Hanno: Eine tiefgekühlte Sehnsucht. Die Zeit, December 2002, no. 1. p. 19.
Smith, Roberta: Teresa Hubbard and Alexander Birchler, in: Art in Review, in: New York Times, 15. Feb 2002, p. E 44.
Spiegler, Marc: Teresa Hubbard and Alexander Birchler. in: ARTnews, New York, Vol. 101, No. 1, p. 127-128.
Valdez, Sarah: Teresa Hubbard and Alexander Birchler at Tanya Bonakdar. Art in America, New York, No. 10, October 2002, pp. 165-166.
Goldie, Kaelen Wilson: Wild Walls. Dutch, New York, no. 38, March / April 2002, p. 49.
Puvogel, Renate: Rätselhafte Szenen ohne Anfang und Ende. Frame, Vienna, no. 10, January / March 2002, p. 125.
Wisse, Jan: Na de angst: De jongste richting in de beeldende kunst volgens Basel 2002, Pulchri, no. 4, 2002, pp. 16-17.
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| 2001 | Macchi de Vilhena, Catherine: Scène de la vie conjugale.in: Art Press, Paris, no. 266, March 2001, p. 266-267.
Meister, Helga: "Mein Ausgangspunkt ist natürlich immer Sigmar Polke, Polke als Urvater" Martin Hentschel, neuer Museumschef in Krefeld, im Gespräch mit Helga Meister. in: Kunstforum, no. 155, June / July 2001, p. 446.
Puvogel, Renate: Rätselhafte Szenen ohne Anfang und Ende. in: Frame Magazine, Vienna, Dec 2001, p. 126.
Robinson, Joel: Anti-Memory- Contemporary Photography II at the Yokohama Museum of Art. In: Asian Art News, Vol. 11, No. 2, March / April 2001.
RW: Rooms with a Skew. in:Artforum International, New York, September 2001, p. 95
Sommer, Tim: Mit den Waffen des Kinos. in: Art Cologne, No. 9, September 2001, p. 88-89.
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| 2000 | Blume, Eugen: Narziss hat das Kino erfunden. in: Museums Journal, Berlin, no. 111, July 2000, p. 36-39.
Braun, Adrienne: Nervöse Bilderschau. in: Stuttgarter Zeitung, Stuttgart, Oct 4, 2000, p. 30.
Braun, Adrienne: Schnitzelljagd der Einsamen. in: Süddeutsche Zeitung, Munich, October 25, 2000, p. 19.
Brunold, Georg: Dein Bild ist dir nicht ähnlich- ein realistisches Ammenmärchen.in: Du Magazin, Zurich, no. 708, July / August 2000, pp. 100-113.
Forstbauer, Nikolai B.: Die Kunst findet doch im Saale statt. in: Stuttgarter Nachrichten, Stuttgart, Sept 30,2000, p. 19.
Heueiux, Guy: The Montreal Biennale. in: Canadian Art magazine, Toronto, no. 3, vol. 17, Fall 2000, p. 38-43.
Hoffmann, Gabriele: 18 Monate Einsamkeit. in: Frankfurter Rundschau, Frankfurt, October 12, 2000, p. 32.
Hunt, David: Teresa Hubbard and Alexander Birchler- Arsenal. in: Time Out magazine, New York, Oct 12-19, 2000, p.58
Maurer, Ruth: The Unique Encounter between the Ordinary and the Alien. in: BE Magazine No 6, Berlin, Oct, 2000, p. 94-98.
Ulmer, Brigitte: Shooting Stars. Bolero Magazin, Zurich, no. 4, April 2000, p. 22-30.
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| 1999 | Böker, Carmen: In Kafkas Raum. in:Berliner Zeitung, Berlin, July 24, 1999, p. 31.
Kaiser, Philipp: Gregor`s Room. in: Camera Austria, Vienna, No. 65, 1999, p. 59-60.
Krienke, Mary: Building Pictures. in: Swiss News, June 1999, p. 30-31.
Meier, Philipp: Ein Menschenzimmer. in: Neue Zürcher Zeitung, Zürich, June 3, 1999, p. 29.
Müller, Katrin Bettina: Neue Videoarbeiten von Teresa Hubbard und Alexander Birchler. in: Der Tagesspiegel, Berlin, July 24, 1999, p. 36.
Nicholson, Tom: Signs of Life, Melbourne International Biennial 1999. in:Art and Australia, Vol. 36, no. 4, 1999, p. 201-203.
Reust, Hans Rudolph: Teresa Hubbard and Alexander Birchler at Gallery Bob van Orsouw., in: Artforum, New York, October 1999, p. 153.
Schenk-Sorge, Jutta: Teresa Hubbard und Alexander Birchler, Motion Pictures. in:Kunstforum, no. 147, September / November, 1999, p. 362-364.
Ursprung, Philip: Viewmaster- New photographs by Teresa Hubbard and Alexander Birchler. in: Camera Austria, Vienna, no. 65, 1999, p. 52-58.
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| 1998 | Kaiser, Philipp: Freie Sicht aufs Mittelmeer / Junge Schweizer Kunst. in: Eikon - Internationale Zeitschrift für Photographie & Medienkunst, Vienna, no. 25, p. 117.
Krienke, Mary: Teresa Hubbard and Alexander Birchler.in: ART News, New York, May 1998, p. 160.
Mack, Gerhard: Junge Kunst soll Berge versetzen. in: Cash Zeitung, Zurich, no. 23, May 6, 1998, p. 68.
Spinelli, Claudia: Nochalance revisited. in: Kunstforum, no. 142, Oct-Dec.1998, p. 368.
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| 1997 | Beil, Ralf: Kleine Gesten ganz gross- Hubbard und Birchler in Basel. in: Neue Zürcher Zeitung, Zurich, March 29 / 30, p. 34.
Müller, Hans-Joachim: Die Pause, der Patzer oder Was die Lücke lehrt. in: Basler Zeitung, Basel, March 13, 1997, p. 22.
Spinnelli, Claudia: Slow Place, zu den Arbeiten von Hubbard und Birchler. in: Kunstbulletin, Zurich, March, 1997, p. 42.
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| 1996 | His, Claudia: Schnittstellen des Alltäglichen. Teresa Hubbard und Alexander Birchler, in: Neue Bildende Kunst, Berlin, no. 3 June / July, 1996.
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| 1995 | Berg Stefan, Nonchalant, in: Neue Bildende Kunst, Zeitschrift für Kunst und Kritik, Oct/Nov 1995, Berlin, p. 103-104
Schmidt Aurel, Kunst statt Natur, in: Basler Magazin, 27. Mai 1995, Basel
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| 1994 | Reck, Hans Ulrich: Konstruktionen des Erinnerns. in: Kunstforum, no. 127, July 1994, p. 57-63.
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