| Selected Texts by Jo Baer | |
| 1999 | "The Diptych", Catalogue, Jo Baer, Paintings, 1960-1998, Stedelijk Museum, Amsterdam, p26-27.
"I am no longer an Abstract Artist", Catalogue, reprint from 1985, pp. 15-19. |
| 1997 | "The Diptych", The Pursuit of Painting, Irish Museum of Modern Art, Dublin, catalogue, p.52. |
| 1996 | "Radical Attitudes to the Gallery", Art Gallery Exhibiting, De Balie, Amsterdam, p.42-43. |
| 1993 | "Jo Baer: Four Drawings", (with Bruce Robbins), Catalogue, Amsterdam. |
| 1990 | "Jo Baer: Red, White and Blue Gelding Falling to its Right(Double-cross Britannicus/Tri-color Hibernicus);Tis Ill Pudling in the Cockatrice Den La-Bas); The Rod Reversed (Mixing Memory and Desire)", Catalogue, Amsterdam. |
| 1983 | "Beyond the Pale", (with Bruce Robbins), Real Life Magazine, NY., Summer, p.16-17.
"Jo Baer: I am no longer an abstract artist", Art in America, NY., Oct, p.136-137. |
| 1980 | "Radical Attitudes to the Gallery: Statement #2", Studio International, London. |
| 1977 | "To and Fro and Back and Forth: A Dialogue With Seamus Coleman", Art Monthly, London. Mar, p.6-10.
"Radical Attitudes to the Gallery: Statement", Art-Net, London. Reprinted in Galerie Paul Andriesse, Amsterdam 1989, p.39. "On Painting, Jo Baer Paintings 1962-1975", Museum of Modern ArtOxford (catalogue). |
| 1972 | "Art and Politics" and "On Painting", Flash Art, Nov. p.6-7. |
| 1971 | "Fluorescent Light Culture", American Orchid Society Bulletin, NY., Sept-Oct. |
| 1970 | "The Artist and Politics: A Symposium", Art Forum, Sept. p.35-36.
"Mach Bands: Art and Vision" and "Xerography & Mach Bands: Instrumental Model", Aspen Magazine, Fall-Winter. |
| 1969 | "Letters", Art Forum, New York, Apr, p.4-5. |
| 1968 | "Edward Kienholz: A Sentimental Journeyman", Art International, Lugano.Apr, p.45-49. |
| 1967 | "Letters", Art Forum, NY., Sept. p.5-6. |
| 1966 | "Statements", Systemic Painting; The Solomon R. Guggenheim Museum, NY. |
| Selected Exhibition Catalogues and Books | |
| Florence, PenNY., "Fractures of Life: Locating the Finland Station", Museum of Contemporary Art Kiasma, Helsinki, pp 58-73 (catalogue).
Knipe, Judy and Hughes, Patricia, "Logical Conclusions: 40 Years of Rule-Based Art", Pace-Wildenstein Gallery, NY.C, pp 80-81 (catalogue). Marzona, Daniel, "Minimal Art", Taschen, Köln, London, LA, Madrid,Paris, Tokyo, pp 36-37. | |
| 2004 | Zelevansky, Lynn, "Beyond Geometry: Experiments in Forms", LACMA, Cambridge, p.24, 211, 216 (catalogue).
Denison, Lisa and Spector, Nancy,"Singular Forms (Sometimes Repeated)", Guggenheim Museum Productions, NY.C, p 106, 163. (catalogue). Goldstein, Ann, and Mark, Lisa, eds, "A Minimalist Future? Art as Object 1958-1968", MIT Press, Cambridge, Mass, p.26, pp156-161, p.445.(catalogue) |
| 2001 | Rorimer, Ann, "New Art: in the 60s and 70s", Thames and Hudson, London, pp. 37, 39, 42, 62.
Schneegass, Christian, "Minimal-Concept: Zeichenhafte Sprachen im Raum", Akademie der Kunst, Berlin, p.112. |
| 2000 | Meyer, James,"Minimalism", Phaidon Press, London, pp 18, 22, 25, 31, 35, 47, 74, 78-79, 196,229, 242-3, 260. Illus. and writings: pp.57, 78, 122,123, 156, 157.
Schwarz, Dieter, "Von Edgar Degas bis Gerhard Richter", Winterthur, 2000, pp.286-289. |
| 1999 | Bloem, Marja, "Jo Baer: Paintings 1960-1998", Stedelijk Museum,Amsterdam, 1999. |
| 1998 | A[tirnomis],"Beeldende kunst: Overzichtentoonstelling Jo Baer", Dolce Vita, Amsterdam, Winter. |
| 1995 | Tonkonow, Leslie, "Radical Aesthetics: The Art of Jo Baer", Paula Cooper Gallery (catalogue), NY.C, Dec, p.3-5.
Wismer, Beat, "Karo Dame/ Konstruktive und Radikale Kunst von Frauen von 1914 bis heute". |
| 1992 | Wood, Paul, "Modernism in Dispute". |
| 1991 | Rötzer Florian; Weibel, Peter; "The Picture After the last Picture", Verlag Walther König, Köln, Galerie Metropol, Wien, p.16, pp.26-29, pp.166-167, p.202, p.217, p.225 (catalogue). |
| 1990 | Berswordt-Wallrabe von, Kornelia, "Kunsterinnen des 20. Jahrhunderts", Museum Wiesbaden, (catalogue). p70-73. |
| 1989 | Naylor, Colin, "Contemporary Artists".
Auping, Michael, "Abstraction, Geometry, Painting". |
| 1988 | Baker, Kenneth, "Minimalism".
McEvilley, Thomas, "La Couleur Seule". Ville de Lyon, Lyon, (catalogue), p.30. |
| 1987 | Cummings, Paul, "Dictionary of Contemporary Art".
Jansen, Bert, "Aan Kopen, 1986", Rijksdienst Beeldende Kunst, Amsterdam, (catalogue), p.31. |
| 1985 | Du Pont, Diana, K, Holland, San Francisco Museum of Modern Art. |
| 1984 | Allthorpe-Guyton, Marjorie, "The British Art Show", Arts Council of Great Britain, London, (catalogue), pp.41-42.
DeCoppet, Laura/Alan Jones, "The Art Dealers". Lacey, Catherine, "The Tate Gallery, 1980-82 Acquisitions", Tate Gallery, London, (catalogue), pp.42-44. Schjeldahl, Peter, "Art of Our Time", The Saatchi Coll. (catalogue), p. 25ff. |
| 1982 | Rubinstein, Charlotte Streifer, "American Women Artists". |
| 1980 | Lucie-Smith, Edward, "Art in the Seventies". |
| 1979 | Cathcart, Linda L, "American Painting of the 1970s". |
| 1977 | Elliot, David, Fuchs, Rudi, "Jo Baer: Paintings 1962-1975 (Catalogue)", Museum of Modern Art, Oxford. 1977,pp. 4-11.
Fuchs, Rudi, "Jo Baer: Paintings 1962-1975", Museum of Modern Art, Oxford, (catalogue), p.13. |
| 1975 | Haskell, Barbara, "Jo Baer (Catalogue)", Whitney Museum of American Art. 1975, p. 8-14.
Legg, Alicia, "American Art Since 1945". Ratcliff, Carter, "Hand Colored Prints", (catalogue), Brooke Alexander, NY. Rose, Barbara, "American Art Since 1900", Rev. ed. NY., Praeger Publ. |
| 1973 | Celant, Germano, "Arte Come Arte"; Centro Comunitario di Brera, Milano(catalogue). Apr, p.31. |
| 1971 | Calas, Nicolas and Elena. "Icons and Images of the Sixties".
Pfeiffer, Günter, "Jo Baer: Galerie Ricke, Das Kunstwerk", Stuttgart Jan., p.79. |
| 1968 | Battcock, Gregory. Ed, "Minimal Art: A Critical Anthology", NY., E.P. Dutton and Co. 1968. |
| 1967-66 | North Carolina Museum of Art, North Carolina Collect. |
| Selected Articles and Online Reviews | |
| 2007 | Cotter, Holland, "Jo Baer", The New York Times, May 5, 2007.
Diehl, Carol: "Jo Baer at Alexander Gray", Art in America (October 2007). |
| 2005 | Baron, Reuben M, "Black Bands versus Wraparounds, Jo Baer: The Minimalist Years, 1960-1975", http://www.artcritical.com/thinkRBBaer.htm
Carson, Juli, "Review: A Minimal Future?", CAA Reviews, p.2. |
| 2004 | Drohojowska-Philip, Hunter", A Minimal Future? Art as Object," Art News,NY.C, June, p.119.
Godfrey, Mark, "Dimensions variable", Frieze, London, Ju., Jul., Aug., p. 120. Harvey, Doug, "Next to Nothing," LA Weekly, LA, Apr 16-22, p?. Knight, Christopher, "Max Minimal", LA Times, March 16, E8. |
| 2003 | Diehl, Carol, "White, Hot & Cool", Art in America, NY.C, May 2003, pp. 100-103.
Feldman, Paula, "Jo Baer: The Minimalist Years", Contemporary, #47/48, London, pp.123-124. Long, Jim, "Jo Baer: The Minimalist Yearts", The Brooklyn Rail, NY.C, Winter. Stein, Judith E., "The Adventures of Jo Baer", Art in America, NY.C, May 2003, pp. 104-111, p. 157. Smith, Roberta, "Jo Baer: The Minimalist Years, 1960-75", The New York Times, February 7, 2003. Rich, Sarah K., "Jo Baer", Artforum, NY.C, February 2003, pp. 133-134. |
| 2002 | A[tirnomis], "Geometry Class", New York Magazine, NY.C, Sept. 9.
Bona, Damien, "Inside Oscar", Digital, February, p.216. |
| 2001 | Beek, Willem van, "Jo Baer", Kunstbeeld, Rotterdam, Sept., #9, p. 24.
Frank, Peter, "Jo Baer: Art Picks of the Week", LA Weekly, Los Angeles, Sept. 28-Oct 4. Keijer, Kees, "Baers intellectuele rebussen", Het Parool, Amsterdam, Oct 20. |
| 2000 | Pontzen, Rutger, "De laatste abstracte schilder", Vrij Nederland, Amsterdam, Feb 19. |
| 1999 | Lambrecht, Luk, "Stedelijk toont de bekering van Jo Baer", De Morgen, Brussels, Feb 3, p.13.
Schumacher, Rogier, "Een kordate streep onder het verleden", Het Parool, Amsterdam, Jan 18,. Smallenburg, Sandra, "Onheilspellende beelden", NRC Handelsblaad, Amsterdam, Jan 23. Stiemer, Flora, "Vechten voor betekenis", Algemeen Dagblad, Rotterdam, Jan 12. Van de Velde, Paola, "Goede kunst 'verbonden met echte wereld", DeTelegraaf, Amsterdam, Jan 8. |
| 1998 | Bloem, Marja, "Jo Baer, schilderijen/paintings", Bulletin Stedelijk Museum, Amsterdam, Winter, p.10,11.
Pereé, Rob, "De Ommekeer van Jo Baer", Kunstbeeld, Amsterdam. Dec, p.16-18. Tegenbosch, Pietje, "Het Magische Tapijt", Vitrine, Amsterdam. Dec,p.20-25. |
| 1996 | Wei, Lilly, "Jo Baer at Paula Cooper", Art in America, NY.C, May 1996, p.104.
Levin, Kim, "Jo Baer", Village Voice, NY.C, Jan 2, p.9. Meyer, James, "Jo Baer", Art Forum, NY.C, April, p. 98. Yablonsky, Linda, "Jo Baer Paintings from the 1960s and Early 70s", TimeOut, New York, Issue No.15, Jan. Smith, Roberta, "Philip Johnson and the Modern: A Loving Marriage", NY. Times, June 7, p.C25. |
| 1995 | A[tirnomis], "Abstraction, pure and impure", The Museum of Modern Art, New York, NY.C, Oct-May.
Boursma, Linda, "Jo Baer", Bomb, NY.C, Fall. No.53, p.58-63. Halpert, Peter Hay, "New York, Jo Baer: Paintings from the Sixties", The Art Newspaper, No.54, NY.C, Dec, p.39. Karmel, Pepe, "Women Inside and Outside the Grid", The New York Times, NY.C. Fri, Dec.15, p. C37. |
| 1994 | Seidel, Miriam, "Jo Baer at Moore College of Art", Art in America, January 1994, NY.C. |
| 1993 | Esman, Abigail R, "Jo Baer: Palimpsests", Forum International, Bruxelles, no 19 Oct-Nov, p.134.
Pieters, Din, "Gaat gij naar de vrouwen? Vergeet niet de zweep!", NRC Handelsblat, Jul 5, Amsterdam. Sozanski, Edward, "Mythic works that span centuries and civilizations", Philadelphia Inquirer, Philadelphia, Mar 19. Rice, Robin, "A Horse, of Course", City Paper, Mar 19, Philadelphia. |
| 1990 | Hixon, Catheryne, "Jo Baer", Arts Magazine, NY.C, Jan. 1990, p. 104-106.
Hettig, Frank Alexander, "Jo Baer", Kunst Forum, Aug-Oct, p.399. Houts van, Catherine, "Niewe harmonie in oude vormen (New harmoNY. in old forms)", Het Parool, Amsterdam, June 15, p.6. Kruijning, Aad, "Jo Baer construeert met panters en biggen (Jo Baer constructs with panthers and piglets)", De Telegraaf, Amsterdam, June 20,p.17. Steenbergen, René, "Jo Baer", NRC Handelsblad, June 15, Amsterdam, p.5. Brenson, Michael, "New Curator at Modern Challenges Convention", NY. Times, NY., Dec.28, p.C26. |
| 1989 | Mc Cracken, David, "Baer pits paint against painting as object", Chicago Tribune, November 10, 1989. |
| 1988 | Thompson, Walter, "Jo Baer at Art Galaxy", Art in America, 1988, p. 180. |
| 1987 | Krane, Susan, Albright-Knox Art Gallery.
McEvilley, Thomas, "Jo Baer", Art Forum, NY., May, p.141. |
| 1983 | Armstrong, Richard, "Forum", Art Forum, NY., p.67.
Smith, Roberta, "Reductivism Redux", Village Voice, NY., Feb 22, p.89. |
| 1982 | Januszczak, Waldemar, "Riding on Two Pairs of Hands", The Guardian, London, Apr. 14.
Wandja, Jan, "Tail to the Wall", ZG, #7-Desire, London. |
| 1980 | Byrne,P.F, "Two Artists Cooperative", Evening Herald, Dublin, Jul. 27.
Glueck, Grace,"Jo Baer and Bruce Robbins", New York Times, Mar. 21. MacAvoe, Desmond, "Jo Baer and Bruce Robbins at Dowling", Irish Times, Dublin, Aug. 1. Miller, Sandra, "Jo Baer: Galerie Lisson", Art Press, Paris, Oct. Silverhorn, Jean, "Jo Baer and Bruce Robbins", Art Forum, NY., Jun. Stoffels, Christian, "Frei schwebende Kleider", Kölner-Stadt-Anzeiger. Jun. 20. Vaizey, Marina, "Jo Baer: Lisson Gallery", The Sunday Times, London, Jun 22. |
| 1979 | Baker, Kenneth, "Less is Less", The Boston Phoenix, Boston. Mar. 27.
Pacheco, Richard, "Boston Institute Gives Showcase to Minimalism", Standard Times, Boston, Apr. 15. Kologe, Brian R, "Frame an Empty Space and Call It Art", Christian Science Monitor, Boston, Apr. 6. Joselit, David, "For Minimalists the Art Is the Object", Boston Ledger, Boston, Mar. 23-30. Raynor, Vivien, "At Ridgefield, a Definition of Minimalism", New York Times, NY.. May 13. |
| 1978 | Gage, Edward, "A Brush with Gestalt Theory", Scotsman, Edinburgh, Jan. 30.
Groot, Paul, "Jo Baer...magie in de schilderkunst", Museum Review, Apr 25. |
| 1977 | Domingo, Willis, "Jo Baer at MOMA, Oxford", Art Monthly, London, Nov., p.15-16. |
| 1976 | Tagg, John, "Jo Baer: Lisson Gallery", Studio International, London, Mar.- Apr., p.208. |
| 1975 | Kuspit, Donald, "Jo Baer: Intimations of Variety", Art in America, Nov.-Dec., p. 76-77.
Russell, John, "Paintings by Jo Baer at Whitney Museum", The New York Times, June 21, p. 23. Smith, Roberta, "Jo Baer: Whitney Museum of American Art", Artforum, Sept., p. 73-77. Rose, Barbara, "Vogue Upfront", Vogue, NY., Jun. p.50. Loring, John, "Jo Baer", Arts Magazine, NY., Apr, p.70. Hess, Thomas B., "They Don't Pusseyfoot", New York Magazine, NY., Jun. 2, p.65. |
| 1974 | Guilbaut, Serge and Sgan-Cohen, Michael, "Jo Baer: peintre traditional et radical", Art Press, Paris. May, p16-18. |
| 1973 | Canavier, Elena Karina, "Baer's Painterly Elegance", Art Week, Oakland, Apr. 28, p.5.
Kerber, Bernhard, "Szene Rhein-Ruhr", Art International, Lugano. May, p.55. |
| 1972 | Schjeldahl, Peter, "Jo Baer: Playing on the Senses", The New York Times, May 14, 1972, Section II, p. 23.
Ratcliff, Carter, "Once More, with Feeling", ARTnews, NYC., (Summer), p. 34-37, 67-69. Ratcliff, Carter, "Jo Baer: Notes on 5 Recent Paintings", Artforum, NYC., May, p. 28-32. Matthias, Rosemary, "Jo Baer: Lo Guidice", Arts Magazine (Summer), p. 57-58. Karina, Elena, "Baer's Painterly Elegance", Art Week, April. Lippard, Lucy, "Color at the Edge", ARTnews, May, p. 24-25, 64-66. |
| 1971 | Hunter, Sam, "American Art of the 20th Century", NY., Harry Abrams Inc. 1971.
Baker, Elizabeth C., "Sexual Art-Politics", ARTnews, Jan., vol. 69, p. 60-62. Mellow, James R., "Today's Series Line-Up: Barber and Baer", The New York Times, Apr. 11, p. 27. Linville, Kasha, Art Forum, May, p.77-78. Lippard, Lucy R., "Diversity in Unity: Recent Geometricizing Styles in America", Abstract Art Since 1945, Art Since Mid-Century: The New Internationalism, vol. 1, Greenwich, Conn: New York Graphic Society. |
| 1970 | Kline, Katherine, "Jo Baer at Goldowsky", Arts Magazine, Feb., p.10.
Kline, Katherine, "Review: Jo Baer", ARTnews, Feb. A[tirnomis], "Jo Baer at Goldowsky", Arts Magazine, NY., Feb., p 57. Pfeiffer, Günter, "Es leuchet Gold", Kölner-Stadt-Anzeiger, Nov 20. Ratcliff, Carter, "New York", Art International, Lugano, Mar., p.70 Wasserman, Emily, "Jo Baer: Goldowsky Gallery", Art Forum, Mar., p.77. |
| 1969 | Insley, Will, "Jo Baer", Art International, Feb., vol. 13, p. 26-28.
Pincus-Witten, Robert, Art Forum, Feb. |
| 1968 | Lascault, Gilbert, "Contemporary Art and the old mole". Art and Confrontation, NY., Graphic Society Library, Greenwich, p 64-68. |
| 1966 | Lippard, Lucy R., "After a Fashion - The Group Show", Hudson Review, winter, p. 622.
Lippard, Lucy R., Art International, Apr., p.73-74 (illus). Bochner. Mel, "Systemic", Arts Magazine, Nov., p. 40. Bochner. Mel, "New York Letter: Off Color", Art International, Apr. Ashbery, John, Art News, Feb., p.13. |
| 1965 | Rose, Barbara, "ABC Art", Art in America (October-November 1965), p. 64 |